Queens International

In Summer 2016, I served as the creative director for 2016 Queens International—the Queens Museum Biennial which that year looked to the idea of thresholds, and the way such spaces for transition, contact, and exchange become markers for shaping the politics of borders. In lieu of outsourcing the print production of the catalog, I developed the identity of the biennial to revolve around developing a new publishing model and distribution strategy that used a risograph printer purchased by the museum for the biennial. Within the museum, a production space was set up as a public studio and workshop where I edited and designed the catalog with material authored over the course of the exhibition.